 |
VOCAL TECHNIQUE,
INTERPRETATION & |
%20di%20Copia%20di%20ang1_small.png) |
|
GESTURAL
EXPRESSIVENESS |
|
IN THE ITALIAN
“BEL CANTO” |
|
|
For more information:
arteconvivio@gmail.com
Mobile:
+39 - 347.58.53.253
|
|
|
|
|
|
TEACHERS |
|
ROBERTO SCANDIUZZI
- BASSO -
ASTREA AMADUZZI
-
SOPRANO |
|
MATTIA PELI
-
ORCHESTRA
CONDUCTOR, PIANIST & COMPOSER |
|
MARCO TREVISANELLO
-
DIRECTOR |
|
|
Course Sections: |
|
Technique
& Basic Aesthetic in the Italian
“Bel Canto”- Study of Opera
Arias |
|
High Stylistic Specialization
with Maestro Mattia Peli |
|
Singing-Acting
and Ensemble Scene Study from
Italian Operas |
|
|
|
Workshop addressed to all
singing students and
|
|
to singers owning an academic
degree in Singing without limits
of age or nationality. |
|
The course will be held in
English, Italian and French. |
|
|
Subjects
of the study: |
|
Posture:
position of feet, arms and
head |
|
Breathing:
usage of abdominal muscles and
technique of inspiration and
expiration |
|
Pitch
of the voice and care about
sound quality:
usage of resonators and
exploitation of the timbre |
|
Legato in the Cantabile:
study of Cantabili
and acquisition of the Legato
style |
|
Study
of the pronunciation of lyrics
from Italian Opera and study of
phrasing: |
|
diction in the Bel Canto and
care about phrasing |
|
Agility:
study of coloratura passages in
Bel Canto Cabalettas |
|
Singing and gestural
expressiveness:
facial expressions and gestural
expressiveness in Singing |
